Introduction to Computer Music (2009) [pdf]
by luu on 4/5/2026, 1:54:29 AM
https://composerprogrammer.com/introductiontocomputermusic.pdf
Comments
by: arn3n
I often see people frame music as mathematical manipulation or try to approach music making from a “first principles” approach, where those principles are mathematics and physics. But watching musicians talk about making music, I seldom see any discussion of the underlying math, and instead see discussions of timbres, instruments, and stylistic/historical influences; musicians who make good music seems to believe “first principles” involves historical knowledge and a well-listened ear, and nothing involving math. My question is: Is thinking about music as applied mathematics a good way to create good music? Or is it just the most easily digestible model of music for the crowd on this site?
4/5/2026, 2:37:27 AM
by: teleforce
For what it's worth there's a new book on The Science of Music by Mark Newman who also the author of the popular book on Computational Physics [1].<p>[1] Mark Newman's new book: The Science of Music (2023):<p><a href="https://lsa.umich.edu/cscs/news-events/all-news/search-news/mark-newman-s-new-book--the-science-of-music.html" rel="nofollow">https://lsa.umich.edu/cscs/news-events/all-news/search-news/...</a>
4/5/2026, 3:35:32 PM
by: Dusseldorf
Amusing to see how attitudes toward AI change over time. On page 6, part of the original text has a footnote apologizing to readers far in the future for outdated speculations, then mentions that future readers "may even be an artificial intelligence rather than a human, how wonderful!"<p>But just a bit before that in the foreword written in the present day, bars AI scrapers from reading or referencing the materials under any circumstances!<p>Anyway, this seems fantastic and I'll definitely be spending some time diving in.
4/5/2026, 3:17:37 AM
by: chaosprint
Note: Nick Collins (the author of this book) and Alex McLean created Algorave. The time I spent learning from the Algorave community was crucial to my later work on Glicol (<a href="https://glicol.org/" rel="nofollow">https://glicol.org/</a>).<p>Btw, I have a feeling that if you want to learn about computer music, you can send the PDF to LLM and ask what the chapter is about and how to represent it using csound or supercollider.<p>My experience is that with computer music, you have to keep experimenting and listening in order to truly understand and innovate.
4/5/2026, 6:59:49 AM
by: ablanton
I'm so happy to see Nick Collins taking this on. If you haven't seen his book, Handmade Music, it's an excellent book for music projects. This contribution looks exceptional as well.
4/5/2026, 2:51:32 AM
by: DougMerritt
This appears to be mercifully shorter and less intimidating than the must-have bible, "Curtis Roads. The Computer Music Tutorial. MIT Press, Cambs, MA, 1996".<p>It says it was originally published by Wiley in 2009, and the rights reverted to the author in 2025, whereupon the author released it on the net for free.
4/5/2026, 2:36:21 AM
by: colkassad
I love the world of music production. I started with Ableton Live six years or so ago and it's been a wonderful hobby. It has such a vibrant cottage industry of plugins (sampled instruments, synthesizers, effects, etc) thanks to the VST standard.
4/5/2026, 3:25:48 AM
by: fodmap
Juan García Castillejo published 'La telegrafía rápida, el triteclado y la música eléctrica' (High-speed telegraphy, the three-keyboard system, and electric music) in 1944.<p><a href="https://archive.org/details/latelegrafiarapida.eltritecladoylamusicaelectrica.1944juangarciacastillejo" rel="nofollow">https://archive.org/details/latelegrafiarapida.eltritecladoy...</a>
4/5/2026, 9:14:06 AM
by: rmnclmnt
Loved this book when I was a student! This is for DSP enclined audience with a focus on musical applications. Not very in-depth if you want to develop your own plugins or DAW but still very informative
4/5/2026, 9:36:39 AM
by: NetMageSCW
Reminds me of starting college and photocopying digitized instrument wave forms (e.g. guitar string pluck) and then feeding them to a 6502 subroutine that output the waveform to the 8-bit companding DAC in my OSI C2-4P computer from a Basic driver that would play different notes through for songs.
4/5/2026, 6:17:06 AM
by: Ylpertnodi
<a href="https://youtu.be/0Ssi-9wS1so?is=2tc8mEWK9ndA3G-4" rel="nofollow">https://youtu.be/0Ssi-9wS1so?is=2tc8mEWK9ndA3G-4</a><p>Math rock, and microtonality.
4/5/2026, 1:40:24 PM
by: ChrisArchitect
A similar endeavour,<p><i>Introduction to Computer Music, by Prof. Jeffrey Hass</i><p><a href="https://news.ycombinator.com/item?id=44744578">https://news.ycombinator.com/item?id=44744578</a>
4/5/2026, 3:01:58 AM
by: adultSwim
I enjoyed Miller Puckette's Theory and Techniques of Electronic Music, using Pd. <a href="https://msp.ucsd.edu/techniques.htm" rel="nofollow">https://msp.ucsd.edu/techniques.htm</a>
4/5/2026, 4:03:40 AM
by: ChrisArchitect
The info page, perhaps a better url for submission instead of the large/hugged PDF<p><a href="https://composerprogrammer.com/introcompmusic.html" rel="nofollow">https://composerprogrammer.com/introcompmusic.html</a>
4/5/2026, 3:04:26 AM
by: Brown01
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4/5/2026, 11:39:34 AM
by: Brown01
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4/5/2026, 11:40:48 AM
by: ValveFan6969
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4/5/2026, 3:47:24 AM
by: p1esk
Wow, this book has been published in 2025, and it has zero mention of AI generated music. Not saying it's a bad thing - from the table of content it covers a lot of important fundamentals, but ignoring the elephant in the room is... weird.
4/5/2026, 3:03:26 AM